WARNING: Spoilers spoken here.
5 – The hunter’s tunic
The votes are in, and although there was a strong minority in favor of the morel mushroom, in the end Arlene’s comment made the case for this fifth object.
…It was made of caribou hide, tanned to ivory. Red, white and blue beads were worked around the collar in a pattern that sort of resembled the Russian Orthodox cross, or maybe those were birds, Kate wasn’t sure. The seams at shoulder, armhole and underarms were heavily fringed and hung with dyed porcupine quills. Dentalium shells gleamed from a sort of a breastplate, and something in the order in which they were sewn to the hide hinted at the shape of a fish. You could see the fish better if you didn’t look straight at the design.
In 1988 the Smithsonian mounted an exhibit called “Crossroads of Continents,” a collection of old and new artifacts from Native life from Siberia and Alaska. They brought it to the Anchorage Museum, and I went back to see it I don’t know how many times. I bought the book, too, which you will pry from my cold, dead hands. It’s the best written and best illustrated exhibit book I’ve ever seen.
Regalia, harpoons, visors, grease bowls, blankets, baskets, drums, masks, and the stories behind them all–it was the class in Native art and technology they should have taught us in school and never did. And yes, it’s where I saw my first hunter’s tunic, which was the inspiration for the hunter’s tunic in Play With Fire.
Author and founder of Storyknife.org.