7 Tips for Writing Crime Fiction by Dana Stabenow (written for Writer’s Digest) 6. Decide early on if you’re writing a series or a stand-alone.* Don’t introduce that great character only to kill him off at the end of the first book of a 22-book (and counting) series. Don’t ask me how I know. *Realize…
My friend Kerri forced me to get Stephen King's On Writing. I almost never read books about writing any more because it's just too much like work, and besides, after Strunk and White, what more needs to be said?. I was in no hurry to read it, but after a year and a half guilt finally moved it off the to-read pile.
Started it. Enjoyed his life story. Liked Bill Bryson's better.
He reveres The Elements of Style, okay, he's showing me something.
He thinks adverbs are the mark of a lazy writer, me, too.
His life story went fast, and now I'm bogged down in the how to write part. Too much like work. I'm going to stick to it at least until the scene where he's laying on the side of the road thinking, "OMG, I've been run over by one of my characters," which of course I've heard about, as who hasn't.
Two days later:
Okay, time to stop whining. This is a good book. It is in fact (oh, he'd smack my hand for that phrase) three good books, or novellas, if such a term may be used to describe non-fiction. The first is his life story, the second is a primer on the craft of writing, and the third is the account of his close encounter of the van-crazy-guy-and-Rottweiler kind. The first is entertaining as hell, the third is entertaining and scary as hell, and the middle section, the section on craft is honest, practical and hard-nosed as hell. And also entertaining.
I like everything he said about craft because I agree with all of it. "The best form of dialogue attribution is said." "You should avoid the passive tense." "I believe the road to hell is paved with adverbs." Simple, direct, absolute, I'd go farther than King and say that these are rules that should be tattooed backwards on the foreheads of all beginning authors so they see them every time they look in the mirror.
What I really like here is that he takes craft so seriously, because he loves it. He is in love with writing, with storytelling, with the written word, in love even with the way it looks on the page. He cares that we do the best job we can. "I don't believe a story or a novel should be allowed outside the door of your study or writing room unless you feel confident that it's reasonably reader-friendly."
What he said. Thanks, Kerri.