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#thiswritinglife

I heard recently from a friend whose sister applied to Storyknife and didn’t get in. I wrote back as follows. Please do tell your sister to apply again. We had 599 applicants last year, it was tough. There are even more this year (our poor adjudication committee). In some ways this is very gratifying, but…

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I was fortunate enough to attend the inaugural WIT, or the Words, Ideas and Thinkers Festival this past week, hosted by the Authors Guild. I heard Dan Brown talk about the intersection of religion and science, and Adm/Amb (Ret.) Harry Harris and Simon Winchester talk about China, and a slam-bang, standing ovation discussion on reimagining…

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Hitching a ride Nile style.

This photo was taken from the Old Cataract Hotel in Aswan during my visit to Egypt in December 2019. And it was the direct inspiration for this snippet from Theft of an Idol: The banks of the canal slipped past. Two boys in a rickety rowboat paddled out to catch hold of the rail and hitch…

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from 7 Tips for Writing Crime Fiction, written for Writer’s Digest. 7. Backstory. Every single character gets one, including the guy who shows up once to deliver the mail. It can be as little as a sentence or as much as a subplot running through the entire narrative. The supporting cast is what makes a great…

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7 Tips for Writing Crime Fiction by Dana Stabenow (written for Writer’s Digest) 5. Never neglect setting.* It’s key to everything that follows. What does it look like, smell like, sound like, feel like? What effect does the setting have on the characters, and why? Once you figure out setting, you can figure out who…

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For centuries Hondurans have told their children the myth of the Lost City of the Monkey God, but myths are often rooted in fact, and in the early Oughts cinematographer and inveterate searcher for lost cities Steve Elkins starts looking for it. National Geographic/New Yorker writer and novelist Douglas Preston, in the way nosy journalists…

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7 Tips for Writing Crime Fiction by Dana Stabenow (written for Writer’s Digest) 4. Make your protagonist a hero, if not in his own eyes then in everyone else’s. A hero is better than you and me; that’s why they are heroes and why they deserve their own novel and you and I don’t. How?…

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7 Tips for Writing Crime Fiction by Dana Stabenow (written for Writer’s Digest) 3. Put your protagonist at risk. Physically, mentally, emotionally, any or all. Liam Campbell jumped out of an airplane (on purpose), was nearly flattened by a herd of walrus, and has been shot at and missed far too many times. We won’t…

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