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1890. The lawless New Mexico Territory is overrun by criminals who steal money and land without consequence, and everyone carries a gun.

In Montaña Roja, robberies threaten Fred Harvey’s newest Harvey House restaurant. Disguised as a Harvey hostess, undercover Pinkerton agent Clare ventures west, risking exposure at every turn as she searches for answers the law won’t pursue—relying only on her instincts and her derringer to survive.

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Dana Stabenow is an award-winning author best known for her gripping crime fiction, richly drawn characters, and bringing the rugged beauty and complex cultures of Alaska to life. With a career spanning decades and dozens of books, she continues to captivate readers who crave smart, atmospheric storytelling.

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Read behind-the-scenes glimpses into my writing life, reflections, updates on works in progress, information about publication dates, and about upcoming events. You’ll also find the occasional recipe, book reviews on Mondays, and whatever else crosses my desk—or my mind—along the way.

#thiswritinglife

Dana sez, A useful post for writers of any age or experience, but I confess I’m sharing it mostly because of Scalzi’s use of “atemporally appealing.” Which Heinlein certainly is. If I could boil down what I see as Heinlein’s Theory of Characters. It would come to these four lessons: 1.

After the blade bit in, you had yourself a war.

“In 1917,” Denis Johnson’s Train Dreams begins, Robert Grainier took part in an attempt on the life of a Chinese laborer caught, or anyway accused of, stealing from the company stores of the Spokane International Railway in the Idaho Panhandle. A man orphaned early and raised by relatives he leaves